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Long ago, in the Cho-Sun Dynasty of Korea, there existed a group of ladies known as "Da-Mo." The title of the position, "Da-Mo," refers to the police officer. Although they were considered to be of a lower social class, "Da-Mo" had the opportunity to examine women's private spaces and speak with high society women who were off limits to men. The ongoing political intrigue was even made known to Da-Mos who work in the palace. It's time to wrack my brains for a topic to write about Damo, an almost ten-year-old sageuk that is regarded as a classic of its genre. Because of how well-liked and praised this programme has been among Kdrama fans all across the world, I had very high hopes going into it. Even many Kdrama bloggers included this drama in their lists of the top 10 sageuks. Additionally, you can't deny the fact that Ha Ji Won is a part of it and that it is without a doubt the blockbuster drama that made her famous.

What is Damo about, then? The name "damo," which literally translates to "mother of tea," refers to the female servants who, during the Joseon Dynasty, worked in the police districts and whose main daily duty was to serve tea to the officers. I'm not sure if this is unique to this drama or if this is how it was in genuine Joseon, but the term is used ambiguously in the drama to suggest that a damo has a more nuanced function. The drama's full title is Damo: The Undercover Lady Detective, which is a hint. Two of the characters, Chae Ok and Jang, engage in sword combat in a bamboo forest as the drama's opening sequence. The police cavalry unexpectedly breaks into the combat and chases Jang into a wide hilly meadow. When he is unable to move any farther, the troops close in on him, and Chae Ok reappears to resume the fight. Okay, this chaotic introduction left me completely perplexed. What the heck is going on?

I didn't know that this entire sequence was merely a preview of the conclusion until the last moment, in which one of them is stabbed in the stomach with a sword and then fades out. Wow, what a way to reveal the tragedy's inevitable outcome to us viewers even before the drama begins. Does this sound familiar to you? Yes, it made me think of Painter of the Wind, which achieves the exact same thing by opening with a prologue that darkly foreshadows the drama's conclusion (the prologue is actually the epilogue and I could sense that from the very start.). I adored the idea that Chae Ok gives the boys the same amount of significance while also holding them to the same standards of gallantry, bravery, and fortitude. One is a "brother" she grows up with for 15 years, while the other is her biological brother, who she previously had and who serves as her last remaining connection to her cherished family. With Yoon, she has a difficult upbringing, but with Jang, she feels the same loss and desire for their family. Interestingly, after all those years, the roles appear to be reversed.

While Jang and Chae Ok's relationship is more visceral and opposites-attract in nature (Rebel Leader is like a raw experience of love to Chae Ok), Yoon and Chae Ok's love feels more familial (Naeuri has been there protecting her throughout most of her childhood years just like a real brother), of course, that is before they realise they are siblings. When you factor in the fact that they are connected via blood,

It modifies how you view their scenes. It gives the connection, which might otherwise feel like a passing affair, more depth and meaning. According to how I perceived it, Jang's love for the girl is unconditional while she is known by her birth name, Jae Hee, but not when she is known by her given name, Chae Ok. Chae Ok would be killed, but Jae Hee would never be. If it makes any sense, Jang adores Jae Hee just as much as Yoon adores Chae Ok. Damo was like seeing a bitter medicinal potion (or, let's say, dry wine). Though it was challenging to take and required some time to digest, once it started working, the potent effects simply overpowered me. In that the procedure was not particularly joyful and I did not become hooked right away, it was similar to a delayed reaction. It took some getting accustomed to the continual sword combat, the severe brutality, and the gore. (I don't support violence, but this is a sageuk, so bear with me.) Nevertheless, I had never seen a sageuk that had this much martial arts demonstration.)

It was hard to follow the political plot/conspiracy against the king. Even now, I'm not sure I really comprehend it (yes, another round of rewatching would help). It was difficult to identify who is on whose side straight immediately since there are too many parties engaged. The first time around, the romance was difficult to understand or experience. Despite being a challenging and demanding film to watch and being quite different from the hazy image I had in my head before beginning, I ended up really enjoying Damo. Yes, it took me a good deal of replaying, thinking about, and contemplation before I could see and understand its magnificence (and the tiny meaningful details I missed the first time watching). However, Da-Mo were not regarded any differently than the society's lowly slaves since they were low class ladies. They were still subject to the oppressive culture that was rife with sex and class intolerance. This drama focuses on the life of Chae-Ok, a Da-Mo character. The heartwarming tale of this play, "The Legendary Police Woman," is based on the fact that she has an avant-garde way of thinking that is incompatible with social convention.

Overall, Damo has a beautiful sadness and tragedy about it. Indulging in the exquisite tragedy while watching this series made me feel like a masochist. The conversations between the three characters are constructed with enthusiasm, and all three are extremely powerful on all fronts. The narrative is wrapped up with the gushing poetry I cited before, which, regardless of how you read it, very well captures the essence of Damo. This elegy effectively conveys the star-crossed lovers' unending love and suffering. I believe that Damo successfully combines the drama trifecta of secure writing, skillful direction, and top-notch acting. It's hardly the greatest drama, in my opinion. The first time, it wasn't even in my wheelhouse. Wait until you are overcome by it, though, for once you are, it won't let go of you. Your heart will continue to sense the emotions.

Before the initial air, this special drama series was being prepared for HD TV for a whole year. The spectators' hearts will be touched by the tragic love narrative as well as the expansive sword fighting sequences and military art.